Showing posts with label sewing nightmares. Show all posts
Showing posts with label sewing nightmares. Show all posts

Sunday, October 12, 2008

Sewing Withdrawals!



It's prep period. While other teachers are happily ensconced in their classrooms engaging their eager students in the mysteries of quadratic equations and the wonders of constitutional monarchies, our pathetic heroine is huddled behind her desk. Her eyes glazed. Her limbs trembling. Perspiration beads on her furrowed brow as she suffers violent chills followed by fatiguing sweats. She wraps her arms around her wasting body in a futile attempt to bring comfort to her hollow existence. It's been 10...no...12 days since she has had her last fix. She attempts to rally. She must pull herself together for the sake of the children. But all she wants is the delicious feel of the fabric under her fingers and the sound of the humming machine....

Tuesday, May 20, 2008

Machine Service Blues

Setting: A smoky, slightly seedy jazz cafe. A low platform with a solitary mike is dimly lit by one lonely spotlight. An overweight, middle-aged redhead approaches the mike, fidgets with her home-sewn dress and mournfully begins to sing...

Machine Service Blues (sung to the tune of I Left My Heart in San Francisco)

I left my sewing machine at J.B.'s Sew and Vac.
What will I do without it here?
Now I no longer sew
that quilting UFO,
My sewing room is oh so bare, I don't care
My Pfaff waits there at J.B.'s Sew and Vac
Until next week, it waits for me
When it comes home to me from J.B.'s Sew and Vac (big breath for the big finale....)
My UFOs I'll sew again.


The singer exits the stage revealing a slightly wonky invisible zipper.

Friday, March 14, 2008

It's 1:00 AM and Do You Know Where Your Seam Rippers Are?

I intended to put down the Van Noten dress for the evening, but here it is 12:55 am Alaska time and I'm still trying to smack the dowdy out of it! I figured out what was bugging me about the sleeves. The lines and proportions just weren't right. But I've got it looking more like my inspiration pic now. Here's what I did...

Took 2 inches off the length of the upper sleeve piece (black dot)

Altered the fullness of the bottom sleeve portion (lavender floral). I placed the ruler at the upper edge where the bottom sleeve would join to the upper sleeve and then angled it so that I tapered off 1.5 inches of fullness from the hem edge. Rotary cut that baby.

I then put the sleeve pieces together, basted their side seams and basted it into the armscye. The sleeve silhouette was now correct, but something still looked dowdy when I slipped the garment on. I finally figured out it was the shoulder line that was throwing things off. It was sitting ever so slightly off my shoulder. Only about 1/2 inch, but enough to give it that droopy shoulder line that made the whole thing look matronly. So I shaved off a 1/2 inch from the shoulder line and slipped the dress back on. MUCH better. However, I noticed that the bodice of the dress felt like it was pulling towards the back. The back of the dress is significantly heavier because of interfaced facings on both center back edges to accommodate buttons and buttonholes. However, I didn't think that could account for the way the bodice was looking weighted towards the back. It finally dawned on me to checked the shoulder seam placement and sure enough, it does not fall at the height of my shoulders. The shoulder seam sits a good 3/4 of an inch off my shoulder towards the back. There isn't really much I can do about that at this point as the bodice is already lined and facings set. :( :( I've made a note for the next time I opt for this OOP Vogue that I used for the dress bodice. If this was a fine fabric purchased just for this project, I would pull it all apart and reshape that shoulder seam. But this was an impulse project after falling in love with a magazine photo. The fabrics are "make do" pulled from my stash. This is, afterall, the year of the Fabric Fast.

So...the evening's Dowdy Smackdown is over. I am heading off for a bubble bath. Tomorrow, I will finish and reset the sleeves. All that will then be left is hem, buttons and buttonholes.

Anyone have a hint they want to send me for making buttonholes in satin????? :( :(

Charity

Friday, March 07, 2008

All Those Not In Favor Signify By Saying..."Weird, Mom."

I've got the dress below almost finished. The sleeves are set in and the upper edge gathered. The neckband is ready to attach (I ditched the quilting idea. Looked homemade-ish). So I slip the dress on to get an idea of fit before putting on the neckband. I'm standing in front of the mirror, still totally waffling about this style on me. My 17yo son walks by, pauses in front of the mirror with me and says "That looks weird, Mom."

Gee, thanks... :( :(

Actually, once I put on black nylons, black heels and accessories, it looked kind of cute. But it only looks good if it's fairly short. Shorter than I normally wear my skirts. If it goes knee length or longer, it starts to look like a nightgown! And while I like the lantern sleeves, on the already baggy, full dress, they're a bit much in the full-length variation. I'm going to do some horizontal tucks at the hem and will do the same on the sleeves to take out some of the fullness.

Jury's still out on this one. I'm going to finish it and then I'm going to have to make up my mind. Because it's rather trendy, it's not the kind of thing you can wear while still waffling between "Do I look cute?" or "Do I look silly?" I'm going to have settle it in my mind so I can wear the thing with a confident attitude.

Of course, that's hard to do when you've got a Tim Gunn wanna-be making snide remarks during your fitting sessions.

Charity

Thursday, March 06, 2008

Frustrated

I'm determined to finish up some UFOs before allowing myself to start a new project. The #1 project I had targeted for today is my red peacoat-styled jacket. It only needs the six buttonholes on the front and the sleeve hems. So I've got two buttonholes done and they are driving me crazy. This fabric is a red stretch twill by Liz Claiborne. It's of excellent quality, but it was a bad choice for this garment. It has too much spandex in it which gives it more drape than is productive in a structured jacket. It drapes more like a shirt on the body. And the buttonholes are stretching as I sew them. They end up buckling and wavy. :( It's really discouraging. The area under the buttonholes is interfaced and they are supported by the facing and its interfacing as well. So I know it's not that the area is insufficiently underlined. Hhmmmrrrphhh! It's making me really grumpy. I'm using very large buttons that will hide the buttonholes, but it still bugs me. The whole jacket is bugging me. It looks homemade to me despite the care I took in double-topstitching, Hong Kong finishes and other RTW details. It's times like these that I doubt the time and expenditure invested in sewing. I really feel like chucking this thing!

UPDATE

This one did not have a happy ending. I could not get the buttonholes to turn out right because of the stretch factor. And I just could not resolve myself to the overall drape of the jacket. I knew that it would forever bug me and I decided to chuck it. I feel guilty about it. It seems irresponsible, but I know it will just sit in my closet unworn. So I can get rid of it a few years from now when I realize I'm never going to wear it or I can bite the bullet and get rid of it now. So...it's outta here. And I have to admit that right on the heels of guilt, I feel relief. I simply was not happy with the jacket.

Charity

Thursday, June 01, 2006

On Thoreau and Embroidery Machines

I'm not sure when sewing became all about the technology. At what point did the precarious slide from needle and thread to high tech machinery get totally out of control? All I know is that lately it has become increasingly difficult to get anything done in the sewing room without spending countless frustrating phone hours talking to technical support personnel or surfing the internet for do-it-yourself solutions.

It all started with a rather mindless desire to embroider a simple little ladybug on the bodice of a simple little sundress. I remembered a sweet little book of redwork transfers I had on my shelves somewhere. I should be able to knock out a simple outlined ladybug in the time it took to watch an episode of Seinfeld. However, the book of embroidery transfers was nowhere to be found. Aha! I remembered that I was the very fortunate owner of one of those new-fangled embroidery machines. With the aid of this new technology I should be able to embroider a fancy-shmancy ladybug in the blink of an eye. Even better!

However, the software for this program had been installed into a now defunct computer. No problem, I'd simply reinstall it onto our new computer. Mission accomplished in about 20 minutes. I set off on my merry way, happily shopping for ladybug designs on the internet. Dozens of free ladybugs were found. I narrowed my choice down to one lucky lady and downloaded her onto my hard drive. Now on to yet another piece of technology, the Embroidery Design Transfer System (SmartBox). This was necessary to change my ladybug design into the right file format for my particular embroidery machine. Another 20 minutes had now gone by. It occurs to me that I could have hand-embroidered my bug by now, but I brush that aside reassuring myself that this elaborate ladybug would show-up a simple redwork design anyday! My ladybug is now properly formatted and ready to load onto the rewritable memory card which I will then carry downstairs to the sewing room and feed to my machine.

Another snafu emerges. For some reason I cannot load my design onto the memory card. I keep getting messages that the computer cannot access port com 1. I have no idea what this means, but it sound serious. It's time to call on the higher powers, which in this case means my 18 year old son. He tells me that since my software is several years old that I most likely need to download an update from the SmartBox people. So back online I go to see if the SmartBox website offers an software updates. No problem! A whole webpage is devoted to updating software for people like me who refuse to buy a new $300 Embroidery Design Transfer System every year. I download the new software. Another 15 minutes has passed, but I should now be good to go.

I STILL cannot get the design to load onto my memory card. But at least the error message has changed which, starting to feel slightly desperate, I decide to take as a good sign. I trot back down to the basement where my son is semi-permanently ensconced in his computer studio and let him know that his suggestion has failed to produce the desired results. He sighs and gives me "the look", the one that means that people my age should not be allowed to operate heavy machinery. He promises to "come take a look" as soon as he can. By now, however, I have moved beyond slightly desperate and am heading towards full-scale impatience. I could have sewed an entire wedding trousseau by now! I charge back up the stairs determined to solve this once and for all.

I begin Googling like a madwoman. I turn up an obscure message board where tormented textile techies like me gather to plan their defense against rebellious 7-thread sergers and computerized embroidery machines and digitizing software! On page 5, I find a cryptic allusion to an incompatibility between Microsoft's XP operating system and Simplicity's not-so-SmartBox. I follow a series of links through smoke-filled backrooms till I stumble across a potentially nefarious patch that promises to solve the problem. I am skeptical, but by this time completely frenzied. I throw caution to the wind and beginning downloading with reckless abandon. More than 90 minutes has now passed. Precious minutes that I could have spent at my sewing machine instead of trapped in a technology wasteland!

With trembling hands, I insert my memory card into the obstinate SmartBox. I position the cursor over the Load button and holding my breath, offer a tentative left click. Wonder of wonders! It loads! After almost two hours of blood, sweat and tears, I have managed to transfer a 3 inch ladybug from the internet onto a plastic card about the size of a Peanut Butter Reese's cup.

I must end here. It is too painful to tell you about the SIX hour unsuccessful battle to get the ladybug from plastic card to sundress bodice. All I can say is...I think Henry David Thoreau had it right when he said, "Men have become the tools of their tools."

Charity

Saturday, May 27, 2006

Why Seam Rippers Rule

I just finished a set. It had several incarnations before it took its final form below. The little cropped top originally had a set of narrow double ruffles. However, they were so narrow and so full that they ended up sticking straight out like one of those really stiff ballet tutus. NOT the effect I was hoping for. Even top-stitching those babies down had no effect. So with the aid of my handy-dandy seam ripper, off they came. Next I tried just one ruffle, a little wider this time. Still didn't like the look. On such a full and hippy skirt not even a thin-as-a-rail toddler needs that much bulk on their bum. So again, out with the seam ripper and off with the ruffle. I settled on a tailored band. The third time's a charm because this time I was happy. The band sitting atop the skirt almost gave the appearance of an old-fashioned vintage apron. Serendipity!